As 7 o'clock, their usual departure time, drew near, Jane began to get nervous. With most of the loading done, she took to scanning the streets for the familiar trim, blue-clad figure. Be quite the irony if after what I went through to keep her in the band, she dropped out on her own. Daria'd love the irony. And Quinn..., I think Quinn would just love getting rid of Sandi.
Turning, she noticed Quinn emerging from the basement stairs carrying an unfamiliar case. She walked over to see what Quinn was carrying.
“Well,” Quinn looked down at what was clearly a bass guitar. She looked faintly apologetic. “I figured, you know, just in case....”
“Just in case what?” a familiar deep voice shot.
“Sandi!” In her shock, Quinn dropped the case she was carrying.
The relief that flooded Jane immediately gave way to misgivings. Sandi stood in the driveway, bass case in hand, surveying the scene with her usual disdain. She's got to know we weren't sure she would show. How's she going to react?
It was Daria who broke the silence with her usual aplomb. “Nice of you to join us, Sandi. Find a way to get out of the loading?”
A look of irritation crossed Sandi's face, and she raised a hand as if to wave it away. “I've been running errands, and I got held up.”
Daria quirked an eyebrow. “Since Saturday?”
“Look, I'm sorry I was late, but I've, like, been busy.” She gave a heavy sigh. “But I'm here and I'm ready to play.”
“That's all I wanted to hear,” Daria gave a Mona Lisa smile. “Put your stuff in the van, and we'll get going.”
As they got in behind Daria and Sandi, Jane exchanged a quizzical look with Quinn. She found the conversation between Daria and Sandi strange, and she was sure Quinn did too, especially Sandi's heavy sigh. Sandi's not one for sighs or introspection. I wonder what's going on in her head.
It was Daria's turn to drive, so Jane settled into the drivers' side rear set. At Jane's suggestion, and to her amusement, they'd gone the Mystik Spiral route with the van. It was black and large, and ate gas, and Quinn and Sandi were both mortified to have to drive it. They had opted for better quality than Max Tyler, though. The van had actual seats, enough for the whole band, and a roadie or two if they ever needed them. The locks even worked, and they'd chose not to go with an Early Trash and Rotting Food motif, with the result that the van also smelled much better than the Tank.
Actually, Jane had offered to decorate the van, but she'd been turned down, with Daria delivering the coup de grace in her most withering style, “It's not that you might decide to emulate Pollack's style, it's that you might go for the Electric Mayhem's.” As Muppet Movie references were widely held by all right-thinking people to be one of the ultimate argument enders, Jane had never raised the subject again.
Daria got them to Jefferson Square with a minimum of difficulty. The unloading and set up for the show were second nature, and the butterflies had almost died in Jane's stomach. The details around a gig that had so intimidated them six months ago were now routine, mundane even, but not the show itself. That was still magical.
They kicked off with the thrashing drum intro of “Charmed Circle.” Jane loved when the opening song started with the drums alone. It gave her an incredible sense of power, like this musical monster awoke at her command. The owner, Mike Tierney, had been letting them mix in a few originals over the last few weeks with the covers the crowd had come to hear, and the fact that it was their music that she heralded with the drums simply added to Jane's feelings of power.
Smooth segues into “Rock and Roll Machine” and a sped up “Blister in the Sun” kept the crowd moving. There were at least twice as many people in the crowd as there had been the first night they played, a tribute to the Girls' growing popularity. Thrashing away, Jane felt the connection between the band and the crowd, the way the music fed the crowd's energy and the crowd's energy pushed the music. Daria called it a feedback loop. Jane didn't bother the name it, she just loved it.
In a surprising place of honor at the beginning of the second set was the new “No Light Shines.” Quinn slid behind the keyboards for the third time that night, and Sandi's steady bass took center stage. Jane had been worried that the song wasn't ready yet, and she was right. Though she flailed away gamely, the song had a rough, unfinished feel that contrasted poorly with the precision of their more familiar material. The crowd's energy waned until the band kicked into “Helter Skelter,” which got everyone revved up again. Ah, well, Jane thought, as her sticks flashed. Not an auspicious debut, but we'll get it worked out.
Surging adrenaline carried Jane from song to song as they rolled through more covers in the second set, before finishing up with “Wherever You Can Find It” and the now-traditional “Roadrunner.” Jane still felt a thrill when they reached the end of the song and her name was called. She acknowledged the crowd with a nod as she kept pounding, playing around the beat rather than on it as Daria shouted, “What do you say, girls?” and Quinn and Sandi responded with calls of “RADIO ON!” until Jane wound the song, and the show, up with a quick roll.
Once again, they left the stage to cheers. Meeting them on the stairs, Mike congratulated them on another successful show, and handed Daria a wad of bills. Although he'd doubled their pay in line with he size of the crowds, two hundred bucks split between four of them didn't go a long way.
As they headed to the basement for a breather before breaking down, Sandi offered Jane the opening she needed. “Like, when are going to start making real money doing this?”
Jane couldn't believe her good fortune when it was Daria who responded. “When we start getting gigs at bigger clubs, so we can get them bidding against each other.”
Now I've got them both. “Which we're not going to get until we put together some posters and promotional stuff. Which we can't do until we decide on a look and design to pull everything together.”
“We talked about this, Jane.” There's that look again. Nonplussed. Except this time it's Daria. “Do what you think is best. I trust you.”
“Not good enough.” This from Quinn. “This stuff is important, and we all need to be on the same page.”
Jane nodded. “We're going to be using this stuff, or working from it, for years. We need to get it right, now.”
Hands on hips, Sandi raked Quinn and Jane with a glare. “And how do you expect to get it right without input from your most fashionable members.”
With great difficulty, Jane mastered her rising anger. For this, I kept her from getting kicked out? “We're not going for fashionable, Sandi. We're going for eye-catching.”
“And we asked for your input,” Quinn added, “but you wouldn't give it to us.”
“Fine,” said Daria. “But this isn't the time or the place.”
“When is?” Quinn shot back.
“Tomorrow.”
“Before practice,” Jane added, enjoying the cornered look on Daria's face.
“Before practice,” Daria conceded, after another moment.
Both Jane and Quinn gave Sandi a long, level look. After a moment, she caved, though in typical Sandi fashion, she threw a cat among the pigeons, muttering, “Well, if Daria will do it, so will I.” Both Morgendorffers shot her a look. “Before practice.” she added, unperturbed.
Just then, feet sounded the at the top of the stairs. “We may not get the chance,” Jane muttered, turning her attention away from Sandi to the clatter of what could only be Mike Tierney's descent. Sure enough, the thickset owner of October's burst into the small room.
“Good show,” he said, a little out of breath from the run down the stairs. “Look,” he added after a moment. “I just lost my Saturday night regulars. If you want it, the job's yours.”
Identical expressions of shock crossed the faces of all four Girls. As Jane recovered, her eyes shifted to Quinn, who'd blurted out their acceptance of Tierney's original offer to play here before the group had a chance to consider it. This time, Quinn met Jane's eyes resolutely before turning to Tierney, even as Daria and Sandi still stared. “We'd like a few minutes to talk about it.”
“Sure thing,” the big man said. “Oh, and if you've got any posters or anything, I'd like to start putting them up now. After all, you'll need to draw much bigger crowds.” With that, he disappeared up the stairs.
The four looked at each other again. It was Daria, Jane noted, who finally broke the silence. “It's a prime slot, but it's still not that big a place. Do we take it or wait for something better?” She might let Quinn play the public face, but when it comes to band business, she always takes the lead.
Surprisingly, Quinn and Sandi were both silent, Sandi looking thoughtful and Quinn looking back and forth between her sister and her roommate. Jane got the feeling Quinn and Sandi were both waiting for her—to agree with Daria or stand up to her, she wasn't sure. Taking a deep breath, she jumped in. “I say we go for it. If we take the Saturday slot here, we can get a weeknight at a bigger place and work our way up there.”
Quinn nodded slowly. “Some of the places over in Middletown Square have space for a thousand people.”
“If the money's right,” Sandi finally spoke up. “What Jane says makes sense, but I'm not doing Saturday nights for, like, fifty a gig minus gas money.”
“We haven't hit the big time yet, but I think we can talk him up to $500 a gig. I've seen him get four hundred people in this place on a Saturday night.” Daria gave her a Mona Lisa smile. “That's at least a hundred bucks a person, after gas.”
“Fine,” Sandi nodded. “But where are we going to get posters.”
My lucky day. Jane grinned a manic grin. “In the van, Sandi.”
Sandi whirled, another shocked expression on her face, only a split second ahead of Daria. Only Quinn was unperturbed, but then Quinn had known what Jane was up to.
“It's not like I was going to stop working on this stuff. I did some poster designs at home and printed up a dozen or so at the school's print shop.” The twin expressions of shock on Daria and Sandi's faces just made Jane's grin wider. “That is the point of having an art school student in the band, right?”
“Laugh it up, Lane,” Daria finally said. “But I'll have my revenge when you least expect it. Now let see those posters.”
“Right away, your Highness.” She gave Daria a mocking bow before meeting Quinn's eyes, which were laughing though her face was expressionless. “Five to one,” Jane said aloud as she ran up the stairs and turned right for the back door and the parking lot instead of left for the stage, “Daria grills Quinn while I'm gone for not telling her about the posters. Sandi might even help.”
Quickly, she popped open the van's back door, grabbed her bag, and extracted the rolled up posters. She headed back to the bar, and down the stairs in time for what sounded like one last, “You could have told us.” Right, as usual, she thought as she entered.
“Well?” Daria and Sandi chorused, before giving each other strange looks. Jane gave another mocking bow and unrolled the posters.
They were clearly based off the same color palate from Jane's original designs. Although various shades of purple seemed to be most common in the wash of color, giving an almost psychedelic feel, no one shade or color dominated. The font in which the band's name was printed didn't look particularly appropriate for psychedelia—the letters were much too sharp, for one thing—but neither did they sink unnoticed into the design. The whole thing was unconventional, hard to classify, and strangely arresting.
Before anyone could say a word, Mike Tierney clattered into the room. He considered the posters for a long moment. “I like 'em,” he said, nodding. “They'll draw the eye,” he added before looking at Quinn with an expression fairly screaming, “Well?”
This time Quinn looked to Daria. “Five hundred a night,” the elder Morgendorffer said baldly, “against ten percent of the door take.”
Watching Tierney, Jane had a feeling he was intimidated by the hard faced woman in front of him. Hell, she intimidated Jane sometimes too. Sandi, with her airs, was a poser. Daria was the real thing. Tierney seemed to think so too. At least he didn't try any posturing. “Three hundred against five percent.”
“Five hundred, no door,” Daria said.
“Deal.” the big man sounded almost relieved. “You start two weeks from Saturday. You can play the Tuesday, too, or not. Just let me know next week if you don't want it.” With that he disappeared up the stairs.
Jane ignored Quinn and Sandi, laughing and hugging in celebration of their new status, and watched Daria shift uncomfortably. She knew she didn't have to say anything, so she didn't. “Fine,” Daria broke down. “Tomorrow. Before practice.” The three words were admission, complement, apology, surrender, and thank you rolled into one.
“That's our Daria,” Jane said and smiled, no longer mocking.
In the end, they played the Tuesday. As Daria said, “We can always use the practice. And that's what they did. The entire first set was their own stuff, the dozen or so songs they'd worked up, including “Fuck Off and Die,” as the raucous set closer. As a reward for those who stayed through the whole first set, and the six months before, the second set was the most popular covers, closing with “Roadrunner” again. But everyone, including the Girls, knew that Saturday was the big show.
They'd pulled together the new look without too much difficulty. Once Sandi had understood what Quinn and Jane were going for, she'd been a big help, softening the colors and making the outfits more accessible, while still unusual and attractive.
Not that the sailing was totally smooth. Daria had shocked the others by rejecting a pants and long coat ensemble as, “Too conservative.” With some asperity, she'd added, “For fuck's sake, Jane, I won't even be able to play in that.” Eventually, they'd gotten everything squared away, and managed to scrounge the actual clothes.
Even Sandi agreed they couldn't get brand names. She'd been able to get most of the stuff they had to buy new at tag sales and outlets, while Jane tracked down other things at thrift shops and other secondhand stores. Quinn, a little miffed at being left out of the shopping, worked with Daria on arrangements for “No Light Shines” and some of the other new songs.
And now, here they were on Saturday night. From behind the drum kit, Jane estimated there were at least three hundred people in the crowd in front of them, many who'd never heard GTS before. It was a critical gig for them; if they couldn't hook people's interest, Saturdays would be gone, and they'd be right back where they started or worse.
Looking at her bandmates, she knew they'd managed the visual part. All the outfits were deceptively simple, a few simple tones that worked well with each other.
An off-the-shoulder pink shirt covered most of Quinn's white tank top. It was a definite nod to the '80s, but instead of hot pants and high hair, Quinn's long locks were mostly unstyled, relying on natural bounce, and her pants, while flattering, had an elegant cut that prevented the whole look from collapsing into trashy ZZ Top video chickness.
Elegance was also Sandi's watchword. One-piece dresses weren't usually considered good stagewear, but Sandi had argued, rightly, that she was in the John Entwistle style of bassist—she didn't really move at all, preferring to let the action (and the music) swirl around her. Thus, when Sandi came back from one of her expeditions with several short, stylish dress that blended shades of blue in interesting ways, Jane knew that she wound not be shifted. And Jane wouldn't have wanted to—after all, one doesn't get to be President of the Fashion Club without knowing how to dress.
Daria, of course, refused to surrender her glasses—though she had opted for more stylish frames since the band began—so they built her look out from there. Daria insisted she didn't mind the high collar on the brown mock turtleneck she wore, as long as the fabric was light, which it was. Over that she wore a blouse open at the neck, the soft green contrasting both with the brown and her forest green skirt. Although the skirt was below knee length, it hugged her hips quite nicely, keeping her look from skidding into dowdiness.
Jane herself had opted for what looked like a simple black leotard (shades of the 80s again) as the base for her outfit. It was only with a closer look, or the help of stage lights, that the subtle pattern of reds and browns became noticeable. The pattern played very nicely off the short red skirt and open top she wore.
Quinn had bought into the contrast and Sandi the subtlety (and the wardrobe autonomy she'd wangled for herself), while Daria loved the symbolism. The four elements—Quinn as Air, Daria as Earth, Jane as Fire, and Sandi as Water—were there, but so were Quinn the tease, Jane the wild child, Sandi the lady, and Daria the woman. And underneath it all, they were who they were. Mercurial Sandi in blues that seemed to shift and blend in fighting for dominance, breezy Quinn in her bright colors, solid Daria not drawing attention, but finding it nonetheless. And Jane herself, deceptively calm at times, but a whirlwind of subtle changes when moving. They each had their role, Jane knew, and hers was to bring the fire, the thunder that gave the band its energy.
And now it was time. Their time. When Daria raised her arm, Jane kicked the bass drums to open “Blitzkrieg Bop” and felt, along with the rush of power, a sudden surge of rightness. They had the look and they had the sounds. And soon, they'd have this audience eating out of their hands.